in a human body this time

in a human body this time

Sunday, January 31, 2010

writing things is easier than speaking

 I wrote on old thrift store type writers for years. 
Even in collage weirdly. But I went to art school, so we carried things like huge paintings and super long rolls of paper around the city campus, not laptops in black bags with nice pants on. We smelled like turpentine and had charcoal all up in our nostrils, fingernails caked with paint and ink and everything else we used to make with. 

My childhood neighbor had a pen pal who lived in some far off place, from our southern California beach town. I was always super envious of the letters she would receive, with stickers and little doodles, boring kid updates about visits to the dentist or a school field trip. I never had a pen pal, but was always super intrigued by a relationship of letters. A written interaction with stamps and time and government workers seeing to the absoluteness of its delivery. 
The bulge in an envelope arriving in the mail, the odd shape tweaking the clean lines of the symmetrical paper still drives me wild. The way Valentines Day cards have a few pieces of candy, sealed inside the small red house, holding the colorful cornstarch shapes. Candy is disgusting mostly, but send it in the mail with a glitter glue note and its the most magical thing I've ever seen, to precious to be eaten.

 I remember in high school senior year borrowing this old junker of a computer to write my collage essay on... I don't think it actually was the kind with the black screen and the neon green all cap font, but close enough, painful. It crashed and froze up every 2 seconds and I re-wrote my essay over and over. I practiced being Zen and deep breathing, I tried to "let it go" and "find my center" every time it lost the whole thing.
That was back when I drove a car. It had a cassette player in it. I loved the way my car smelled, how I was all alone in it with my mix tapes stuffed into every crevice. The car was a home. I sang in it, I cried in it, I made out in it probably... though I remember the crying part more so than the make-out sessions. 
I was really good about putting on lipstick while driving, I guess I learned that when I was a kid though, the whole putting on lipstick without a mirror trick. Its easy, my older sister taught me how to apply a whole face of makeup when I was six, seven maybe. Red lipstick was the name of the game then. The inside shape of that car was a great shape to hold a crying teenager.

I have those long high heel boot shoe boxes full of rolled up, wrinkly, random journal writings. I would crank out the pages and fill up boxes and boxes of  paper, all misspelled and XXXXXX'ed out. One type writer lived on the front porch, one lives on the book shelf, one lived on Sarah's little wooded chest she gave me when she moved to Africa. I wrote her letters and stuffed them inside the draws of the chest. I never mailed those.
Two times in my life I have sent handwritten letters out to sea in bottles. 
The first time in the south of France, the second,  on Christmas day last month from Vashon Island. I have never found a message in a bottle before. But I think it's think romantic. 

Years and years ago when I wore short hair, in a graffitied bathroom of a San Fransisco club I wrote a love note in sharpie on the wall. I had never written that type of confession before, but I was love sick and knew that we would not be together; it was a private-public place I could put that. This blog is similar. a private-public gritty, layered space,  just behind the door of the booming music, a place to try and salvage the sweaty make-up face, wash the sticky spilled drink hands, perhaps experience one of those magical moments that you randomly encounter in ladies room. 

Tuesday, January 26, 2010

an idea of "woman" xo childself

Poni is flying to India today. 
Ben made a square for a quilt for the baby.
Mom had her phone turned off.
Krystal is finally happy.
I fly to San Fransisco tomorrow.
In my dream Breesea was in the house with her straight blond hair.
Did Kara ever come back from New York?
In my dream I jumped off the terrace to get away.
Crying all night does in fact change your face forever.
Cielo lives with cats and bunnies far away.
Inside my pinata heart everything knows it's exploding.
paper mache' and cut paper strips and dyed paper pieces and little hoofs and eyes.

Last night I was swimming in an overcrowded lap pool. 
It was highways of floating bodies, above and below me.
I jumped out on the side after many near collisions and found myself in my "WILD" "THING" cheetah one-piece I loved when I was six. 
I couldn't believe I fit into it still, my dream body was shorter, childlike but with my today mind inside, and unaware I was in a dream body, dream lap pool. 
Dripping on the cement I knew everyone could now read the words running vertical down each side of the swimsuit. 

"WILD" in all caps, on a clear plastic-ey strip that ran all the way down on the left side, and 
"THING" on the right side, see-through with the words in black font. I knew when I was a kid the see-through quality was risque'. 

I liked wearing it in my best friends back yard, when her super hip and dangerous beautiful mom would be laying out with her friends topless by the broken jacuzzi, horizontal under the California sun. 
We would jump on the huge white rectangular trampoline in our one-pieces, and I would try to look at them,  wanting to be a woman like that one day.  The Yard was overflowing with stuff. A shed in the back with pin ball machines, dead cars laced with tagging and vines, bikes and skateboards abandoned by her brothers "cute" friends that came and went, a huge aviary full of colorful birds, and on the ground, bunnies, with their holes and babies, digging their way in and out of the jungle house. A forbidden tree house, clothes lines heavy with baby clothes and sexy panties and bras. 
Beautiful little girls running around screaming about "where is the cordless!" and they are "skateboarding to the store!". It was The Moms House, and everyone knew she was the most beautiful creature in town, as were all of her many children, dangerously beautiful. 
Once she noticed my "WILD" "THING" cheetah print one-piece, I felt the divide between girlhood and womanhood, chasms separating the two. 
We jumped and my beautiful and mean friend would perform all the tricky flips, sometimes I would get on the springs and from there I would watch the tanning women from across the yard.
Stoic, tan tan oiled bodies-breasts like warm muffins, perfect vintage accessories, long neon acrylic nails, a boom box full of music, a cordless phone atop a stack of magazines, lovers that came and went,  a mystery. 

In my wet, hyper-vigilant adult-child state I looked for somewhere to hide, to get away from all the lap swimmers in my "WILD" "THING" suit.


Sunday, January 24, 2010

on friday i'll be 27

What I was planning to say is that last night at my show the host was wanting to create an original moment with any willing audience member to play the piano while he sang. They would improve on a theme shouted from the drunken audience.

He found a beautiful young woman with super curly doll like hair to play. The theme they got was "you don't know shit about shit". 
I was hiding behind the thick red curtain, as I usually do at this venue watching the peoples faces watch the show. 
I like to stare at them for a long time. You can sometimes read their lips or think that you can read their minds, or how they are or aren't digesting the show. 
It's tight quarters in that club, high heeled crossed legs hit the front of the stage. Glitter flys out of gloves and panties and into drinks and onto empty dinner plates.

I watch them watch the dancers, so animated, exploding with energy and camp and bling and shiny cartoon faces and intricate, one of a kind ridiculous costuming that comes off their bodies in brilliant and thrilling ways. 
I watch the people watching, they are happy looking, free...tentative, judging, stone, confused, drunk, unhappy.

We don't always live in the world the people coming to see the show live in. They want to see a thing they may not know about. When you do know about it, perhaps it's less magical? No. It still is heart wrenchingly beautiful at moments to me.  
When you learn all about the thing that you are enchanted by, are you over it, or more invested, more curious, more energized to go deeper? 
On Friday I will have been bellydancing for 11 years. 
So yeah.

The host and the doll hair woman are going at it. He's struggling to get into her dark song she is improving. He finds a road in and I love it. From behind the curtain I know the song they are making is funny, but I am holding back tears.

This summer I began saying frequently  "I don't know anything about anything. I feel like I am zero". 
This was a really new place for me. freeing and terrifying. What about all the things I have tried and figured out and discovered and known and solved. 
No, everything in the house ended up in the pool:
The nursery furniture, the blender, the bedding, the chairs and bikes, all the silverwear and dressers and bookshelves. 
forget the house.
you don't know anything about anything.
that house was infested. burned, blown away, crumbled. 
What house? 
I'm not going to fish my pillow out of the deep end and insist on sleeping with it.
I'm not that crazy. I'd rather sleep with nothing. See if perhaps my head even requires a pillow at all, I don't know, not all heads want the same thing...

It's sad though, looking at all your things floating on the surface, ripply looking down at the bottom. All the books you knew about, touched, believed in, slowly warping and unbinding themselves, turning back into pulp.
What do you do?
How do you exist after that? Without even a hobo stick with a kerchief at the end holding a small bundle. 
Ideas are dangerous. I don't want to hold on to them too tight. I really don't know. I feel empty of knowing. What I thought I knew is waterlogged, I am floating in a life boat. Its unbelievable what i see below me. everything is green and blue and black. Things that I held in my warm hand, kissed with my lips and treasured, are covered in moss and muck. Everything is wet and everything wet is terrible and sad. my hair is soaked from the rain and tears and my hands are white with white raisin fingers. all my make up is washed off and underneath my mom says i looked like i used to when I was a kid. She hasn't seen me out of drag in 15 years. she says i look like my grandmother. I look like her grandmother, i look like the ocean, i look like the riptide I swam out of, i look like unrecognizable moss covered objects that sunk to the bottom.

I float out of the boat. Up real high you can't even see the ocean. From here it turns into a blanket. You can even pretend it's warm. I think about finding a pillow to match. I shake my head and remember about them. I float and think, still, "I don't know anything about anything, I am zero".

Sunday, January 17, 2010

Imaginarium

The Imaginarium of Doctor Parnassus.

I rarely go to movies. I don't have a tee vee. I don't read newspapers or magazines too often. 
The "real world" generally bores me, scares me, bores me. 

But, I just saw this movie "The Imaginarium of Doctor Parnassus" and I am swooning.
I want to drag all my costumes through the dust, tease my hair into a carnie mess and acquire a cheetah spotted snake to perform magical dances with. 
I want to have a band of wild and intense characters play music for me in the show. I want to wear lace up high heeled boots and tromp around the cities of the world seeing things, being things, inventing things.
I want to make the "real world" more magical.

Friday, January 15, 2010

pink agenda part 1

Being in charge of ones self is hard work. I'm such a rebellious trickster. Always trying to weasel my way out of tasks that need to be done, and putting off everything "adult" until the most dire moment.
My mom says I just need a personal assistant, that there's nothing wrong with me. It's just that I am really good at some things, and have absolutely zero interest in others. 
I feel like there are 27 wild pink kittens scrambling around inside me. Wanting to climb up trees and get stuck, sleeping in circles, mewing non stop-crying for a bowl of cream, catching birds, dragging critters around, bringing them in the house.
Unruly.
I'm exhausted with all the kitten commotion. I have no time to wait in lines, make important phone calls, buy stamps and shop for toilet paper. 
I'm emotionally shellacked to the pink agenda.

Monday, January 11, 2010

my human feelings

Too much of anything can be unhealthy. I realize this as I sit in my pink pajama pants and grey American Apparel t-shirt that I have been taking off in only short increments to enter the world, only to return home and immediately put them both right back on.
I like to wear socks, I like to crank the heat, I like spicy tea in a cute cup with the right amount of negative space to fill with piping hot water, i like to wear my disgusting pink, once fluffy slippers, i like not wearing make up at home and having my messy hair down.

I like to think about me being older and younger and how I was and how I might be. I am over being jealous of my 16 year old self. I am now envious of my self at 47. I think about my tattooed arms when I'm 72, and how my voice might sound, if I might not be afraid of singing then.

Sometimes I want a personal trainer, a life coach, a therapist, a guru, a sargent, a boss, a mom, a professor, a dietitian, a dance teacher, a stylist, a yoga teacher and a million other specialized people to get up in my face and make me live a life.

Tell me things like "you cant wear pajamas all day and stay inside feeling human feelings. You need to DO, like, a verb."

I feel like crawling inside my white fluffy stuffed animal cat that's also a puppet. I would like to snuggle inside the kitten nest and feel different ways about life from there.

Saturday, January 9, 2010

where is my waking soothsayer?

Every morning I wake up on the wonderful white couch on this island and talk about my dreams.

I survive well in the nightmares. Recently I have had lots of survival dreams, despite all odds, I make it through. I wake up un-harmed, but often mentally and emotionally reeling, untill the dreams fade away like in a steamy bathroom, slowly revealing the mirrors reflection and the true state of my clean face and helmet head hair, parted and dripping.


Every one's in my dreams:

my sisters, mom, my old best friends, beloved teachers, ex-girlfriends, ex-dance partners, ex-co workers, new crushes, new dancer friends, new lovers, new best friends, long lost friends, long lost lovers, insects, giraffes, whales, snakes, firemen, sailors, grandmas, bed skirts, pinatas', broken glass face, sandpeople, hero's, soothsayers, healers, dogs, crabs, small doors, every color, changing colors, fast skateboards, splintering ships, drunk people, dying families, sobbing me, all knowing me, heartbroken me, in-love me.

In my dresams I am braver.
In my dreams I say everything.

Thursday, January 7, 2010

of the world

My Astrological chart says I have a hard time "in the world", knowing what is real, concrete verses the unconscious, the dreams or fears or visions.
My therapist says she has seen me floating, untouchable.
This summer I felt the strings holding me down, a point of connection and tension to an anchor, suddenly cut.

All my balloons of me gently floated and dispersed into the vastness. I knew it was happening. I have this ability of knowing exactly whats "wrong" with my life, how and why and what should be done, but just the awareness doesn't necessarily mean I have the machinery to turn out the solution.
I had balloons all over, spring, summer, fall. Stuck in telephone wires, blown into space, caught by a kid-who drug the wilted thing around until it shrivelled into a grubby, finger printed liver shape.

A "Foundation" is such a fancy way of living a life. I had never experienced it before then, and then, I lost it.
I mean, I guess I don't need it, I'd survived this long without the deep trench that's needed for all the important stuff, connected intricately, allowing the building above to function in these modern ways we've grown accustom to.

When I was a terrible nail biter kid I was obsessed with the idea of being a woman with long strong nails that would click across the desk, across a type writer, across teeth. I imagined women like that didn't obsess about anything. They were strong, secure, had their hair wrapped up in a clean bun and drove cars, with the shiny hard nails glistening as they turned the wheel.
My imagination was severely vivid as a child. I still wake myself up talking in my dreams and nightmares. I'll be Fighting, Falling in Love, Crying, Giving Brilliant Speeches.

As a child I couldn't wait to grow up and be away from my family and that house. I wanted freedom from day one, and simply could not handle any type of corrupt authority.
I would envision her again, the nail lady, with her clean hair, and watch her walking down the street alone. Living alone. Buying and wearing clean fancy clothing. She was me, who I was going to grow up and be. She never had a husband, children, any family but perhaps friends? Maybe a cat? She walked proud. She was always alone.

I know I am still "young". I know it takes a lifetime to figure it out, and that I'll never be perfect or healed in some fantastically angelic way.
Back to the foundation, I don't have the tools to dig the trench and lay the bricks, connect the plumbing and figure out the wiring and all that bussiness. I'm seriously not interested in learning any of this, it's dull to me. But I don't want to be constantly untangling myself from strangers magnolia trees and intersection traffic lights. It's terrible to feel like there is no bottom, like the lower half of my body is hacked, like a barbie with the legs ripped off. No base, just falling, just floating into space with arms reaching around frantically, eyes looking down, knowing what's happening, seeing it happen.

Saturday, January 2, 2010

a New Shape

2009 is over. Thank God. SERIOUSLY.
On my first day of this New Year, that is sure to shape up with much cleaner, concise, purposeful lines-  unlike the ripped, burned, gnawed and unraveled edges that created last years shape, (that resulted in a ambiguous pattern that I am still unsure what to make with it) I rode my bike far. 
I set out to jog to my friends New Years Day get together. I put on my jogging attire and imagined in my mind how far Beacon Hill might be from my home. A few attendees of the New Years Eve party I had performed at the night before had offered to drive me home, as they saw me unsuccessfully hailing for a cab outside the venue. On the ride home with the strangers they said "when I used to live on Beacon Hill I would take 23rd ave all the way through." 
So in my jogging mind I thought "well if they can drive that way, I can run that way". 
I have this power with directions, I just "know" where things in the world are.  I have an innate sense of direction. Which is probably due to the fact that I grew up on the Pacific ocean and it was really simple to get a grasp of it. The sun rises over the mountains in the east and sets over the ocean in the west. The town was only as thick at the shore, four horizontal streets running east to west and a splatter paint of houses and twisty roads up in the hills; before they became mountains. And the town was held just like bookends between the two geographical masses. 

Then I imagined myself super sweaty in white running shoes at this "get together", without even a purse, just an i-pod and a ponytail head, and thought, "Heck, put on something respectable and ride your freaken' bike". Which I did.  

Thank goodness, god only knows how I made up the story in my head about Jude living on Beacon Hill, because in reality she and her girlfriend live about 15 miles south of that hood, like outside of Seattle basically. Across the Duwamish River. 
I rode my bike up the steep bridge the crossed from the industrial area of south Seattle with huge trucks and huge-er planes, across the thick grey river to "South Park", their neighborhood. Instantly I saw that THIS is where the delicious Mexican food was hiding! I had no idea. Brightly colored storefronts and signs I couldn't read, I was so excited, I fly to San Fran just to eat a decent burrito. 
I was a perfect winter day for a long ride. It was grey and misty but surprisingly not too cold, the wind was strong, but again, not too cold. It felt powerful and hard to ride against, the invisible force pushing the tears from my eyes and the snot from my nose, at moments threatening to take me and my ridiculously lightweight bike frame away with it. 

Arriving at the house was a dream. I stored my bike in Jude's basement where she has her music room. The first thing I noticed were all the posters from Baltimore shows we had gone to and bands we loved loving together. It felt like home, looking at that kind of wallpaper that has been absent from my life for so long. 

Upstairs on the fridge held up with a magnet, was Jude's girlfriends high school I.D. In her picture she has one eye closed, like a cartoon wink.
She went to the same high school in the sliver of a beach town that I went to, that all my three sisters went to, that my first girlfriend went to, the same first girlfriend who happened to also be at this New Years day 2010 get together. 

Lesbians run in packs and I always joke about the cross over and trade-off girlfriend situations etc. etc. that happen in the Lesbian communities and circles. But I actually really love moments like this. The interconnectedness of the communities from city to city, and all the music and art and friendships and lovers and memories.  So many long distance feelings, love letters, heartbreak and scandal. Packing up our lives and driving across the country for a better chance at visibility and safety. Breakups and makeups and sadness and healing. 

I suppose that house felt so good because it had been so long. I've known Azsa since I was twelve. I moved my life with Jude from Baltimore to Seattle. We have seen so much together. We've had a lot of time to digest.

So I guess when I am talking about all the clean lines and sharp patterns I'm after this year-maybe not so much. 
Perhaps it's just that up close they are coarse and you see all the imperfections and methods of creating that shape that are not so pleasant. 
But if you zoom out, with time, the overall shape is solid and the focus is a bit blurred, so the loose ends and desperate cuts don't seem so hostile, you just get the general idea of the thing... 

Is this true? Is this helpful to me? Is that shape just one word in the story? It's how we tell ourselves our story,  and then how we shape it in our mouth to tell others, it comes out a bit different, safer in voice form. 

I know I am too close to all the trauma of 2009 to see any sort of shape at all. 
It still feels terrible and dirty and I can't put a story to it. 
I know that's how all the shapes felt as they were forming. It's like birth, a total mess, a blob of a thing and it's not till way later that language comes. Perhaps I'm still struggling with the placenta mess and I wont know for quite a while what I've actually made.